Quinta do Lago
Championship Course
Course Designer: William Mitchell
JN6 Designer: John A. Bernard
Course Type: Parkland Real course
rendition
Course/ Slope Rating: 74.6/138
Location: Algarve, Portugal (Europe)
Date of Conclusion: Real (1974)
V1
(Winter 2000); V2 (Spring 2002)
Design Time: It took on and off about 4
months-V1, another year for V2
Email Address: soewveen@hotmail.com
Course History:
Quinta do Lago is situated in the southern tip of Portugal, in a region
mostly known for their splendid beaches overlooking the Atlantic Ocean, and in
the middle of a nature reserve called “Ria Formosa”, were many migratory birds
come from the north to escape from cold weather, were you can play Golf all year
round even during winter time.
William Mitchell’s Quinta do Lago was The first North-American project
in Portugal, and what a site was given to him, extensive pinewoods and ”gently”
undulated Terrain and one big lake that give’s the name to the golf course.
William Mitchell designed three 9-hole courses named “A”; ”B”; ”C”, the
Quinta do Lago course joints the “B” and “C” course and it was this one used
for the 8 times it was home of the Portuguese Open, one of the most notables
winners here was Colin Montgomerie, it was is first win in the European PGA
Tour back in 1989 were he carded a record final round of 63 he won the title
easily.
The golf course was also recognised as one of the top ten courses in
Europe, and in the top fifty in the world.
Most notable holes are the 5th
a beautiful par 5 were the stronger golfer can reach the green in two with the
second shot played over some pine trees to the a well guarded green with two
bunkers awaiting the errand shot; the 9th were you play from a very
high tee; the 15th is the most wanted and most beautiful it’s a par
3 played over a big lake from the back tees it’s about 218 yards; the 16th
a relatively long par 4 but by no means difficult, that boasts one of the most
beautiful sceneries, a big lake beyond the green, and the sand dunes at the far
distance.
And the 17th an
uphill par 5 were you must try going for the green in two, again a heavily
guarded green, this hole has been voted one of the 500 best par 5’s in the
world.
About the JN6 GBC Design:
When I saw this game in the store and bought it (May 2000), I never
imagine what I could do with the course designer, I never saw it before in my
life.
So I started to accumulate my old photos of the course and started
trying to make one as close as the real thing. I played this course many times
now and I know it like the palm of my hand (well not as accurate), but with the
necessary knowledge to design a rendition of this great course that I love it
so much, and have many fond memories playing there with my father, the hard
part was to put those in the designer.
Some yardages are very precise others less accurate but only when it
favoured the hole to become fair to play. You might find strange, but I put
blue & white Tees together, that’s because they only use three starting
points (WHITE-PRO; YELLOW-MEN; RED-LADIES), there’s only 5 holes that I include
4 starting Tees all on the back nine were there’s 4 or 5 teeing areas and it
adds a different point of view, like #10-Black play’s from the 1990
Portuguese Open tee, now it’s a putting green, the other’s are on 12/14/15
and #17 there’s one big teeing area so I included one more were blue is now, so
don’t find it strange if you see two colour Tees on the same area, so if you
play from the blue or white there won’t be much difference, they correspond to
playing from the Yellow tees-Men/Members, if you’re playing from the back tees,
it means that you are playing at championship length all the 7190 yards. It
took me on and off 4 months from knowing how to work the course designer until
the conclusion of the first rendition, and almost 1 year to do the V2, that
happened only because I had to study more the designer, buy a strokesaver, find
custom material, and wait to go to the Portuguese Open in late April 2001,
played in this great layout, so I had to take as many pictures as possible (now
I live 600 Km away), I took with me all the 5 days (pro-am/Tournament), a
little booklet so that I could draw the contours/slopes/undulations of bunkers;
greens; etc.
I walked 36 holes a day, following great players like Ian
Woosnam; Colin Montgomerie; Padraig Harrington; Sam Torrance; Hank Kuehne, yes
the guy who can hit as far as Tiger but not as accurate, during the first round
he told is playing partners Justin Rose & David Park that he felt that he
could birdie every hole, he saw that the course suited his style of play, in
fact he was cutting all the corners here, driving with a Mizuno Pro 300s with a
steel shaft (43 inches), he was averaging 300 yards.
Well he can sure hit long of the tee, but still has to practice more on
the greens.
I’m telling you this, because that’s exactly what you’ll find when
playing Quinta do Lago, it looks easy at first, but if your game isn’t up to
it, you’ll find it tough to score low, so a word of advice is keep away from
the corners, getting out is tough.
Personal thoughts:
Playing at Quinta do lago is such a privilege, it’s a shame that only
few can afford to see this wonderful course, and it’s natural surroundings,
golf in Portugal is still a rich man’s game, there’s only one public course in
the Country, and it just opened now in the outskirts of Lisbon, so nowadays I feel
that I was very fortunate to have started playing my serious golf there, I was
10 years old back in 1985, I had previously stricken my first balls at a nearby
course named Vilamoura Old, I usually waited everybody to clear away and then hit
it as hard as I could, one time a ball hit my father’s playing partner in the
backside, man he was furious.
So, on to Quinta do Lago, the land is spread by pine trees, the fairways
are incredible, they are always in perfect conditions, the holes are surrounded
by large umbrella pine trees that can be a factor on some wayward tee shots,
especially when you want to cut the corners and don’t succeed, at Quinta do
lago course you’ll find yourself playing from different lies, uphill; downhill;
sidehill, playing a draw, a fade, high or low, some par 4’s are meant to be
played using long irons on your 2nd shots, others just a pitch, I
think it’s a very balanced golf course, were you face a different shot each
time you play it, especially when the wind comes up, it can be a very tough
course, on a calm day it’s possible to score low, but it requires precision,
there are places that you mustn’t go, or you’ll be penalized, especially on the
greens, 3 putts are very easy to do, when you’re on the wrong side of the hole
or leave 15 footers for par.
In what concerns pin placements, 5 in total, I used the 4 pin positions
as used during the Portuguese open last April (1-4), and one more just for fun”
try to play this one to”.
You won’t need to hit extra long tee shots to score well here, it
requires more precision to get to the hole then just length, good putting is
sometimes rewarded, the greens are very large at times 50 feet putts are normal
here, especially at 11, this green is probably the most difficult to get close
to from the tee, it slopes from back to front, and it’s very wide, so don’t
push or pull your tee shot, and if you do so, pray to be in one of the bunkers
it’s easier to get close from there. Quinta do lago course is mostly known for
their extensive and wide landing areas, but don’t be fooled by them, to score
well here you must know were to hit your ball, and avoid trouble, there are
some great holes to be played there, my favorite’s are: 5,6,7,8,9,11,15,16,17,
there are other great holes, but these are very especial to me. The 5th(My
Dad’s favourite) is a par 5 double dogleg hole not to long for the pro, were it
can be reached in two, if you can hit it over the tall pine trees; the 6th is a
beautiful short par 4 were you must avoid the right side of the hole, the shot
to play from the tee is a draw, the 7th a downhill par 3 it is
normally played into the wind, so keep your head down, and lower your ball
trajectory; the 8th demands a perfect placed tee shot, the shot to
play is a fade, your 2nd is to an elevated green; the 9th
more beautiful than great gives the player an opportunity of a birdie if he
plays it as it should be; the 11th is a devilish par 3, played
gently downhill, and the wind is always there, the green is tough to; the 15th
is very famous caused by the big lake that dominates this part of the golf
course, a par 3 that can become difficult when the wind blows and because those
ducks & birds just won’t shut up, this green is very firm; the 16th
a par 4, the main difficulty here is choosing whether you ripe a drive over the
fairway bunker to have a clear view of the hole or lay up, there’s always the
temptation of going for it, the green is well protected by a bunker on the
left, water left&behind the green, low branched trees&mouds on the
right, you can see the big lake over the green and the sand dunes at the back,
it’s one of those holes that you wish to live there forever; the 17th
is probably the most challenging of the par 5’s played uphill all the way, the
hole is situated on a elevated/undulated green and very well guarded by two big
bunkers, the main concern is to avoid the left greenside bunker, it’s very
deep, from there is almost impossible to get close to the hole, whichever the
pin placement may be, it reminds me the road hole bunker at ST. ANDREWS(17th).
So here goes a friendly help on how to play Quinta do Lago with the
least amount of strokes, this was not how I played in real life, I was
frequently visiting the woods, and escaping from them, “the Seve way”, I
remember vividly when he came here to play, back in the mid 80’s, I was then
just 10 years old and followed him everywhere, and he visited the woods often,
regrettably I never saw him play again, only on TV. To date my record here is
74(+2) in 1993, since then it was all downhill.
Good opening hole, played
downhill to a sloping green that tests your skill right at the 1st.
Hole
2 par 5 . 547 . 513 . 513 . 454 strk-3
Avoid a hook from the tee, aim
for the bunkers with a draw, it should leave you on a good position to a 2nd
shot to this par 5 two tear green.
Demanding drive, precision is
everything here, hook it and you’ll be in the water, aim right center of the
fairway, because it slopes to the left, 2nd to an elevated green.
First short hole and it’s no corker, you must strike well and avoid the
bunkers.
A real gem, a challenging double
dogleg par 5, you can play two routes (safe or attack), if you want to go in
two the best angle view is past the right fairway bunker, less trees in front
you give a better opportunity to go in two, or play it safe and aim to the left
center of the fairway the slope will push your ball to the right, a medium iron
2nd will leave you a close pitch to a well guarded green.
A beautiful drive is awaiting you
here a dogleg left hole, negotiate the left fairway bunker and you’ll be safe,
the fairway slopes to the right and into the trees.
A long short hole when the wind
comes up, tough hole. Try a low runner.
Demanding tee shot, dogleg right
hole with a narrow fairway, there’s a big pine tree awaiting longer tee shots
that can block your 2nd shot to an elevated and narrow green, the
fairway slopes to the left, a fade should be the best option here.
You’ll be playing from the
highest point of the course to a wide landing area, but be careful there’s danger
on the left all the way up to the green.
A long medium hole, two
well-stuck shots can give you a birdie opportunity, this green is very wide.
Played downhill to the widest
green on the course, three putt zones are everywhere.
An easy par 5, you must birdie
this one, but stay out of the rough, a good drive and not necessarily long, can
give you a chance to go in two, most times on a uphill lie, there are two big
bunkers on either side of the green.
Leave the drive on the bag, the
odds are against you, only if you feel very confident with it, a well-struck 3
Wood leaves you an open shot to a small-protected green.
Another great hole, the tee shot
is played from 40 feet above the hole, the wind again is a factor that can
decide your option of whether go for the big blow and risk reaching the pond
that guards the right side of the fairway, or if you play defensively, pay
proper attention for the left fairway bunker, the two tear green is very
receptive.
Signature hole, this is the most famous and photographed, a big lake
separates you from the green, it measures from the back tee 218 yards when the
pin is at the back, “maybe not fair, but it’s the real thing”, combining with a
fast an repelling green it’s a bogey machine, only the shear beauty can give
you a good memory of this hole.
You’ll drive (black tee) from an elevated tee area surrounded by pine
trees, it’s a very nice view to the fairway, there’s a fairway bunker that
awaits the extra long drives, your second (if I may say so the most beautiful
scenery at the golf course, the lake beyond the green, and the beach sand dunes
at the very back) must be played carefully, the green is well protected
(Bunkers, Water, low branched Trees, fairway mounds).
There’s a special feature on this
hole, if you aim to right of the green, there’s a big bank that kicks the ball
back to the green, it’s really fun to do that, when I played there (real
course) I always tried to do that shot.
Great long hole were the player could
make a run at eagle if played intelligently, and a bit of luck too. From the
tee you must try aiming the left part of the fairway, it gives a less right to
left side hill lie, and a better view to the green (if you want to go in two!)
that is very well protected by tall pine trees in the front, witch you must
overtake them to get there, and two bunkers on either side of this deep
elevated green, the 2nd shot to this green must be played over the
tall pine trees in front and usually the shot has tendency to hook, try to
avoid the left greenside bunker it’s tough getting close from there(word of
advice), it resembles the road hole bunker at St. Andrews .
The home hole still challenges you
to play the big drive over the trees on the left, do it only if you have the
proper distance, the safer and smarter route is straight down the middle,
avoiding the left fairway bunker, that leaves you a clear view of the green.
I hope you like playing Quinta do
Lago it’s a fair test to all.
P.S.: On certain holes there are
out of bounds especially on the gardens.
The Salinas, were salt is extracted,
it’s very close to Quinta do Lago
Quinta do Lago’s layout is not the only course at Quinta do Lago; there
are 3 more 18 holes courses
around the corner:
. Ria formosa course: joins the former A & D 9 hole
loops, A course was designed by William Mitchell at the same time B & C
were in 1974; and D course designed by Joe lee in 1989. D layout is very tough,
more narrow than the championship course, and not as pretty, more wild areas,
except for the old A course witch is a lovely track, now forms the new route 1
to 5 & 15 to 18, I’m doing this course for GBC next, I have some holes done
already.
. Pinheiros Altos & San Lorenzo: are two other great layouts that you can play nearby, but
my vote goes to San Lorenzo, it’s a real beauty and tough course, more exposed
to the winds, because it’s nearer the beach sand dunes, if you can play them it’s worth every $$$$$$$ spent.
San Lorenzo #7
San Lorenzo Top View
Credits:
To make this
design believable and close to the real course I had to make some custom
objects and borrow others from various JN designers, whose works are forever
appreciated by those not so talented designers like myself, so here’s a big
list of the material needed to do Quinta do Lago championship course worth a
visit:
. Textures:
-From Stephen
Carson, I found 7 textures at Paul O’Brien’s Site, and used for heavyrough;
sandyrough; desertrough; lightrough; hazard; fairway; fringe; tee & green,
they looked great. After combining with more than 10 different sets, I finally
found the ones that suited the course.
-From Shelby
Sanborn’s Ginn Farm one great rough texture that I use for dirt
-From Steve
Gazis’ Medinah a perfect bunker texture, just brightened a bit
-From the courses that came with GBC I used 3 textures
that melted perfectly with the others: a rock text; a rough text; a carpath
text, I believe these were made by Brian Silvernail & Scott Chesney
. Sounds:
-From the word go I decided to incorporate custom sounds on the design,
so with help from others I found www.Naturesongs.com and from there I found Eurosongs-European Song
Birds, and with the help of a book I purchased, plus searching on the
internet gave me the birds that live in the region, I already knew some of them
such as: Eurasian Hoopoe; Eurasian blackbird; Mallard; Teal; Sandpiper; Tree
Creeper, and listened many, many times, just trying to remember the sounds, one
that I really got it 100% was the Common Coot a black duck with a white
nose/forehead, they just won’t shut up, a very good site that I founded all the
sounds I wanted, mainly bird/ducks sounds, other sounds were from Naturesongs
such as frogs; crickets; Cicadas, in total I DL 60 sounds, others were borrowed
from other sites, all in all I used 29 of those 60 & plus great sounds-6
continuous, 23 not continuous.
. Horizons:
-As I still don’t have much experience making custom artwork I opted to
use one great horizon from Brian Silvernail’s Cypress Point, I just wanted the
sea and because it was the only one that looked good there, others were either
to bright or had big mountains around so it was no good, anyway it’s just for 3
or 4 holes, on #16 I had to make a lake/a bit of land/another lake/sand
dunes/and finally the sea, but I had no room for all that, so I did a panel
representing the sand dunes and just sticked as far as possible.
And mind you if it wasn’t for Mr.Silvernail’s Very good tutorials I
would still not know how to make Custom art on photoshop, well it was the first
time I tried that software, and the result couldn’t be better.
Because the rest of the course is mainly wooded I had no need of a
custom horizon so I used a stock one.
. Skies:
-Used 2 Cypress Point skies made by Brian Silvernail.
. Objects:
-This is kind of difficult because I used almost 100 objects for this
design, but I’ll try to sum it up as accurate as possible:
. Cars:
. From Thomas
gardocki’s site
. From Brian Silvernail
. From Desert Rat
. Houses or buildings:
. From Terry
Armstrong’s great designs
. From Claude G.
Camacho
. From Brent Fulberry
. Two houses by the
name NL I don’t know who made them, sorry
. Other objects:
. Steve Opfer - bush
. Brian Silvernail –
Post (I modified it to green to use on the bridge on #15)
. Snuffy Designs –
Boats & Windsurf board
. Terry Armstrong –
Bench, Bucket, Lilly pads, Geese & Umbrella pine trees
. Steve Gazis – A great
parking lot panel
. Ulrich Roth – Tee
markers, just used one as source
. Scott Chesney – The
one and only Severiano Ballesteros ”he played here”
. Thomas Gardocki – a
likeable fellow that keeps always his head down
. John A Bernard – yes
I made some objects to:
- All the 18 Sign holes, done first in paintbrush, then added texture in
photoshop; they were based on photos taken on course.
- All the parallel hole objects, 26 if I’m not mistaken, if you don’t
see them it’s because I’ve done a pretty good job, it’s a whole new course now
but still could put more.
- All the boards you see were taken from their appropriate sites I think
I’m not trespassing, it was fun doing them, mainly two of them, because they
were there when I still played there, you’ll find them in the 9th
& 18th, it’s not advertisement, they just exist, the others come
around very few times only 4/5 holes and you’ve got to turn to see them so it
doesn’t get in the way.
-From the Internet I capture a Quinta do Lago house; another capture was
the swimingpool’s center that is just right the 12th fairway, I hope
you’ll never find this one, it’s OB, a great landscape symbolizing a hillside
full of houses, I used it on #16; a very important feature on #18 is the Four
Seasons Fairways resort, a wall & Entrance shack were a must, and the
Quinta do Lago logo for the GB_Flag that i included in the file, also I include
clubs done by me, especially the MacGregor (Wood&Irons).
- The Restaurant on #9, this is a long one, it was made on paint, I
couldn’t find a picture on the net, nor have taken a photo when I was there
last April, of all things it’s the poorest done building you’ll ever see, but
it looks good from the tee, it’s a must, sorry about that, but I’ll try and get
a real object when I can.
- The Tee Markers were modified versions of Ulrich
Roth’s, just painted them (White-pro’s/Yellow-men’s/red-ladies), and included
the Quinta do Lago logo.
- The SplashScreens (course&design) were made by me.
- The Hole & Course Overheads were done my me, using the very
explicit tutorial and texture template and the applications mentioned inside
about how to do Custom Art in Photoshop, and I have to thank Brian Silvernail
again for providing so much sources to us all newcomers on this great world of
course design, I talk for myself, I’m a nobody when comes to computers, let
alone using graphic programs, the tutorial was just greatly done, my heart goes
to you Brian.
And I promise that after this I’ll start studying on how to do textures
& Horizons.
- The latest custom objects acquired were the umbrella pine trees that
Terry Armstrong, so kindly provided, the course would be incomplete without
them, thanks again Terry.
So for this project to be as real as possible I used: all these fine works of art, my personal experience
playing there every week from 1985 to 1996, walking the course on numerous tournaments
staged there during that period and last year’s Portuguese Open; a very good
video of Ian Woosnam playing the 5th; 6th; 7th;
9th holes; the very valuable internet world were we today can do so
many in a short period of time, and last but by no means least, the tons of
photos taken by me, my cousin, my dear and very much loved father who happens
not be among us anymore, so this is for you Dad, wherever you may be, because
if it wasn’t for you I would never find golf, and our matches will forever stay
in my heart, maybe there’s a course like this in heaven, so book a time for us,
when my time comes, and to Barbara my girlfriend, for being such a friend over
the years.
I just want to tell all you people out there, that it’s been a immense
pleasure designing this course, there were high’s & low’s mainly
inspirational, and that it can be very tiring sometimes, just because you want
it to be to perfect and that sometimes is impossible, but I think I came as
close as anyone could, I’m looking forwardly for comments on the course, and if
you’re one who knows the Real Course, fell free to suggest alterations, there’s
always room for improvement, if this game had a wider Designing hole window it
would be much easier, if not a full landplot, but one must stick to what’s
given to us, so we turn around the problems.
Good Golfing!
One last thing, next i’ll wright
something that I heard & saw in the 1997 Ryder Cup Video.
At the beginning of the video the
Narrator recites this poem by William Shakespeare:
“This Battle Fairs like to the mournings wool when dying clouds
contend with growing light
what kind of Shepard blowing of is nails can neither call it
perfect day nor night
now sways it this way like a mighty sea forced by the tide to
combat with the wind
now sways it that way like the cellsame sea forced to retire by
fury of the wind
sometimes the flood prevails
and then the wind
now won the better then another best
both touching to be victors breast to breast”
Another interesting thing I saw there were these words written on Samuel Ryder Tomb” The Founder of the Ryder Cup”:
“His body to the pleasant country’s earth and his pure soul
unto his captain Christ
under whose colors he
had fought so long”
Samuel Ryder 1858-1936
IMPORTANT:” THE LEGAL PART “
This rendition was made for the JN6 or GBC
community, or in other words it was an upload through the Internet with
no profit at all, only for my personal satisfaction, and to share with
all you guys out there who play GBC. I do not authorize this
course to be included in any Work sold for profit under any circumstances, or
to be used in any product outside of JN6 course designs. You may
try a rework on this course, just contact me, but only if you conduct on the
proper manner (to not to have any kind of profit from the design, only for
personal satisfaction and if you later, upload it to the rest of the JN Community,
try to maintain this Text in it, to mention who did it in the first time, and
maintain the History evolving this wonderful golf course. The Quinta do Lago
logo is copyrighted, and QL does not authorize any form of
manipulation of its logo, it’s their exclusive property.
You can always visit their site at www.quintadolago.com they have some beautiful photos
there, from plants, birds, to courses, etc.